Images of the mind are impossible to tie down. They change the moment I begin to make marks on the painting surface. The marks themselves begin suggesting something else. The numbers (as titles) do not indicate the order in which the works were made. They serve as designations only. I believe that the use of numbers in place of titles should prevent the viewer searching for a subject.
The structures in this painting are not intended to be of any known objects. They should remind you of something you have never seen and yet they are recognisable. A paradox?